If you want to use a Harmon, a plunger, a straight mute, a cup or a bucket, VHorns has you covered! We recreated these using a variety of mutes and a specific experimentation process. Mutes are part of the sound that defines horns. When using this with multiple tracks, you immediately have the feeling of being in front of a real horns section. The Virtual Space does exactly the same thing: you can place the musician wherever you like. When you record a big band, you usually place a pair of microphones in front of the musicians and they naturally take position in the stereo field depending on where they are in the room.
The virtual space perfectly reproduces what a real recording of an ensemble would be using convolution. You can apply reverb and EQ to completely mix it to your liking. This can yield even better results when using the "virtual space" which is detailed below. We used 4 different microphone positions so that you can get the exact sound you want, as if you chose the microphone placement yourself. Recording a horn can be done in various ways and at different positions. The legatos behavior can be adjusted and even randomized for more life-like performances
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We covered all that and let you choose how to control them. They go from fast note changes to slow bends, with and without extra attack.
and make ours indistinguishable from a real performance. There are multiple ways to control the vibrato: automatic, automatic depending on time, and completely manually.Ī large part of what horn players play are legatos, so we spent a considerale amount of time and effort to carefully extract every little aspect, pitch changes, noises, etc. We carefully measured the different parameters that change when a player uses vibrato and combined everything into a highly realistic and adjustable vibrato for VHorns. Thanks to our proprietary HAT (Harmonic Alignment Technology), VHorns is not just another heavily multisampled instrument - you can play articulations yourself like a player would, with just a MIDI controller (or by drawing in automation)! There are no complicated keyswitches involved to play staccatos or anything else, it's just a matter of playing it that way.Īll you need to do is play a note and adjust the air flow, that's it! You can even automate vibrato if you want. The VHorns Brass Section contains 6 instruments: 2 trumpets, 2 trombones and 2 flugelhorns.Įach of them has a distinct tone and was recorded by a different player.
Here are a few performances from real musicians and what we recreated using VHorns (and used for our demos). This allows V Horns to weigh just around 90Mb per instrument (retina graphics and presets included), to truly sound like a real live Horn instrument being recorded with all of its imperfections, as well as having fully continuous response with incredible playability.Īnd we are confident in saying that to our ears, and hopefully yours too, VHorns is the most realistic and easy-to-use VST available today. We found a way to combine both technologies by using samples as the sound source, while the rest utilises modeling techniques. This new technology is called HAT (Harmonic Alignment Technology) it allows us to accurately reproduce the timbre evolution from very soft to very loud playing. Thanks to our recent work on a hybrid technology blending samples and modeling, we were able to overcome both of these problems and take advantage of having the best of both worlds: impeccable authentic sounding horns with a simple, powerful way of playing them. We have been planning a horns project for awhile, (our first recordings were back in 2012) but many things prevented us from doing it until now - namely the fact that we wanted to avoid the need for too many keyswitches, in favor of being able to just control the air flow.